Prisma changes texture halfway down the bodice. At the neck and arms, you see a fine lace pattern with light passing through its openings. At the bust, the lace meets a smooth corset. Below the waist, there is room for the wide Mikado folds to show without a pattern on them. In a full-length photograph, the high collar and long sleeves frame the face while the skirt makes the broadest line in the room.
Prisma is a white high-neck Mikado and lace ball gown by WONÁ Concept from the Atelier La Femme Edition. It has long lace sleeves with zip closures, a structured corset with built-in cups and a back zip. The gathered waist opens into a full skirt and a long train. The lace reaches the neckline and wrists, though the mesh between the motifs is visible up close. If opacity matters for your ceremony, check the upper bodice and sleeves in the light you expect on the day.
Try the high neckline before adding a veil
Pull your hair away from the collar so you can see where the lace ends. A small earring leaves space around that edge. If you want a veil, try a plain one first and look from the back, where its length will meet the Mikado train. Then try a lace edge if you like the idea of repeating the pattern. Stand far enough from the mirror that you can see whether the added border frames the sleeves or draws the eye away from them.
The full skirt is easy to assess in a still photograph, but a turn shows where the folds settle. At the fitting, check the sleeve closures as you bend your wrists and hold your bouquet. Then walk a few steps and let the train settle behind you. The gallery includes a pose with the skirt gathered by hand. If you want to see how the skirt hangs at rest, use the photograph with the front hem fully down as your reference.
Two ways to wear a Mikado ball gown
Modena gives the Mikado a different frame, with bare shoulders and lacing in front. Prisma carries the detail up through the lace and leaves the skirt plain. At your Maison Harleen bridal fitting, compare the necklines while seated as well as standing. Seeing both at eye level will help you choose how much lace you want in the portraits taken at the table or during the ceremony.
